‘’Jeremiah’s troubled life spanned one of the most troublesome periods in Hebrew history, the decades leading up to the fall of Jerusalem in 587 B.C., followed by the Babylonian exile. Everything that could go wrong did go wrong. And Jeremiah was in the middle of it all, sticking it out, praying and preaching, suffering and striving, writing and believing. He lived through crushing storms of hostility and furies of bitter doubt. Every muscle in his body was stretched to the limit by fatigue; every thought in his mind was subjected to questioning; every feeling in his heart was put through fires of ridicule. He experienced it all agonizingly and wrote it all magnificently…In looking for a companion who has lived through catastrophic disruption and survived with grace, biblical people more often than not come upon Jeremiah and receive him as a true, honest, and God-revealing companion for the worst of times.’’ Eugene Peterson: From the introduction to Jeremiah in ‘The Message’.
The words Jeremiah wrote in this book were his own ‘’words’’ (1). But they were at the same time the ‘’word of the LORD’’ (2, 4, 9 and 11). This is true of all inspired Scripture. The Bible was written by more than fourty human authors. God did not override their personalities. They did not become like computer keyboards in His Hands. They were not automata; they were not turned into machines. God so superintended everything in the process that what they wrote was their own, and yet it was His at the same time. (See 2 Timothy 3:16; 2 Peter 1:21; Matthew 22:43).
In a superb article that appeared in ‘Christianity Today (January/February 2015), Andrew Wilson, an elder at ‘Kings Church’ in Eastbourne, wrote:
‘’…if we consider the language of inspiration – breath, wind, Spirit – then helpful illustrations abound. God is the wind; David is the sail. God is the breath; David is the balloon. God is the musician; Isaiah, Paul, and Peter are the various instruments he plays, each with its distinct sound. Nobody listening to Louis Armstrong playing in a jazz club would have asked whether it was Louis or his trumpet making the music. The breath and tune came from Armstrong, but the trumpet was the instrument through which his breath flowed in order to become audible. Likewise, the Biblical authors are instruments of revelation – a trumpet here and an oboe there – each making its own sound. But the musician, the skilled artist who fills them with his breath and ensures the tune is played correctly, is the Holy Spirit. While this is an imperfect analogy, it…helps us see that the divine and human aspects do not cancel each other out any more than Armstrong’s musicianship cancels out the role played by his trumpet. And it’s not as if the trumpet’s role increases as the musicians role decreases. Nor is the sound 50 percent musician, 50 percent instrument. Far from it. The more inspiration the trumpet receives, the louder and more distinctively trumpet-like it becomes. It’s not 50/50, but 100/100…the Bible…always highlights the excellence of the one whose breath fills its pages. It is inspired and true, like jazz.’’ (p.28).
Prayer: Thank you Lord for your ‘God-breathed’ Word. It is a miracle to me. As it comes afresh today, I receive it from you with awe and wonder and deep gratitude.
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